Обзор  фильма Machinista Festival 2003 - 2004 (Фестиваль Machinista 2003 - 2004)
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Machinista Festival 2003 - 2004 (Фестиваль Machinista 2003 - 2004)

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    Так выглядело название фильма в оригинале: Machinista Festival 2003 - 2004
    А вот так, в переводе: Фестиваль Machinista 2003 - 2004


  • Режиссер фильма:
  • Продюссер фильма:
  • Страна: Italy
  • Жанр фильма: Documentary
  • Год выхода фильма: 2004
  • Продолжительность фильма: 186
  • Актеры фильма:


 Ну и наконец, о том, что собой представляет фильм Фестиваль Machinista 2003 - 2004 по сути: 

Full Screen Robovision is the collection of short films selected from the best moving image works amongst the 260 entries uploaded during the 2004 edition of machinista.org. Experimental/ scientific imaging, video art, software art, animations and VJ mixes were entered in response to an open call to illustrate the idea of "the world as seen by the machines".

program duration: 110 min.
26 tracks by 25 artists/ groups.

All Artists have agreed to register their work with with Creative Commons licences to enable legal copying and distribution for non-commercial purposes.

Amongst the works selected, some literal interpretations make use of medical 3D scanning techniques, image processing and computer modelling experiments as the machine's "enhanced" representation of its surroundings.

Several works feature sound and other data visualisation techniques, relating to the idea of a human-eye translator for the machine's internal workings (audio visual code) through varied and sometimes inadvisable software and hardware manipulations with striking aesthetic results.

The glitch and system crashes are present throughout many video tracks, collected and catalogued as the hope of a secret glimpse into the processor's conscious awakening through its dystopic video SOS signals. Indeed we can see the machine's own embryonic language as video signal being generated through various analogue and digital feedback methods.

Human interpretations of Robovision, mixing video and animation are featured with a new level of understanding that reflects the advanced integration of digital technology in the creative visual process. Many artists, accustomed to think through computers, are creating new visual genres such as "design cinema" and "non linear flash narrative" whilst others totally reject the software industry's spiralling drive towards compulsory hardware upgrade and return low tech aesthetics of the 8-bit and ASCII era.

Last but not least, image search engines, VJ and sampling culture and the increased availability of Open Source and Copyright-free movie archives are inspiring new visual collage experimentation. Although very human in substance, these developing styles may give us some insights into the way computers may apply language+image recognition techniques to analyse the vast stock of human-made films and literature to be further processed into their own Robovisual masterpieces.


1. 'moving illustrations of machines', 3min.56s.
by Jeremy Solterbeck.

2. 'gesture lesson', 2min.52s.
by Regis Ferguson Collective
Description: Disembodied machine gestures.

3. 'data flow', 5min.24s.
by D-Fuse.
Description: The hidden spaces that have been generated by errant code and circuitry, that emits binary information as a byproduct.

4. 'dracanea', 1min.05s.
by artkill.

5. 'digital snapshot', 5min.09s.
by Lo Iacono.
Description: minute manipulations of space, place and time.

6. 'the factory', 5min.48s.
by Benjamin Dembroski.
Description: An animation containing a collection of non-synchronous loops a form of human relationship.

7. 'a form of human relationship', 56s.
by satim.

8. ' syncon', 4min.01s.
by syncon-d.
Description: Realtime processing.

9. 'symbolic exchange and death', 1min.23s.
by Blake Quentin aka Dave Griffiths + Coryn Smethurst.
Description: Insect eyes and menu icons form a multi-layered system.

11. 'strenght megademo', 5min.
Description: by Maniacs of noise + the C-men.

10. 'bin data', 10min.30s.
by Georg Muehleck.
Description: A collection of machine errors (hard- and sofware failures).

11. 'miami cruise', 2min.44s.
by Otro (Julien Ducourthial).
Description: Crockett & Tubbs are back in Miami for their last affair: the murder of a crappy b-boy, they got to find the killer and stop sniffing coke...

12. 'objects of desire', 10min.59s.
by Anna Kolossova.
Description: That's a meccano for new objects of new consumerist era.

13. 'the ART as seen by the machines', 55s.
by Satim (Alexander Timofeev).

14. 'reVision', 7min.49s.
by David.H.Schwarz.
Description: ReVision is a Design Cinema short film pairing an odd couple who see things a little differently.

15. 'rogue state', 1min.58s.
by Dave Griffiths.
Description: A fluid spectacle of synthetic apocalypse using vetoed resolutions and a magnetic quill.

16. 'robots don't exist', 1min.51s.
by Cementimental.
Description: Media bending meets 50's robotica.

17. 'crossing', 7min.45s.
by Gail Wight.
Description: Two constructed mice - one mechanical, one genetic - explore their coexistence.

18. 'noisegen.02', 5min.09s.
by David Stout.
Description: Interactive video noise.

19. '(Remote) Mind - The Strangers are still me', 1min.
by Georg Muehleck / Barbara Rauch. music by Karin Krog.
Description: Personality and identity is seen on the background of the age of digital reproduction and genetic modifications.

20. 'Selected loops', 8min.40s.
by Will Duke. sound: Tom Betts + Joe Gilmore.

21. 'sesor', 7min.36s.
by Telcosystems.

22. 'world operator', 1min.42s.
by Cesare Davolio.
Description: World Operator is a one minute free flowing animation of surreal images that creates an environment for word-play and tangential thinking. It is about the chaos of THIS HERE NOW TODAY.

23. 'composition_RGB' (2 & 3), 1min.35s.
Description: Pixel-pop-get-pissed-destroy. Abstract composition of video feedback investigate the value of image when comprehending sound and visa versa.

24. 'sundowning', 5min.09s.
sound: cathode. image: rob Kennedy.
Description: The audio output is sent to the video input.

25. 'society of spectacle', 3min.31s.
by Mark Amerika, Trace Reddell and Rick Silva.

26. “Am I just an ordinary processor?”, 3min.31s.
by George Drivas and Maria Antekman.


Немного о технических особенностях нашего экспоната:

  • Видеоформат фильма: DivX 5
  • Видео битрейт фильма: 1621
  • Аудиоформат фильма: MPEG Layer 3 (MP3)
  • Аудио битрейтфильма: 75
  • Разрешение фильма: 512x352
  • Фрэймрейт фильма: 25
  • Язык фильма: Не требуется
  • Субтитры фильма:
  • Размер файла фильма: 700+700+697
  • Количество дисков: 3

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Обзор фильма Фестиваль Machinista 2003 - 2004